"Art does not reproduce the visible, rather, it makes visible."
— Paul Klee
Swiss Painter
1879 - 1940
Commentary:
Art does not simply copy the physical world in which we inhabit. Whether the person is an abstract painter or a realistic painter, each painter must transform the world and make it visible to us. The same is true of the writer. Even the novelist with the most realistic dialogue has altered the world so that we can better understand it. Painting or stories that simply duplicate the visible world fail to inspire us. They must somehow make the real world more visible to us.
What is your creative vision of the world in which you live? How does your artistic vision alter the world? What do you bring to the table that changes the way we see?
Creative Practice:
Write down your artistic vision. Be sure to write for a minimum of 15 minutes. Keep writing until you have said everything you can think to say. Don't try to be perfect or creative. Don't worry about grammar or spelling. Simply write and until you have nothing more to say. If you have nothing to say, keep writing the same thing over and over until something comes. Start with the phrase, "I see ...." When you run into a roadblock, start over with "I see..."
About the Painter:
Klee's father was a German music teacher and his mother was a Swiss singer. Although he was born in Switzerland, he is considered both a Swiss and German painter. Early in his life, Klee studied music at the encouragement of his parents. He was very talented on the violin, but chose to become a painter during his teenage years. He studied art at the Academy of Fine Arts in Munich. He married a pianist and fathered one child. In 1910 Klee had his first solo exhibition in Bern. His artistic breakthrough came in 1914 when he visited Tunisia and was impressed by the quality of light. He wrote, "Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever... Color and I are one. I am a painter."
Paintings:
 |
| Red Balloon 1922 The Solomon R. Guggenheim Museum New York |
 |
| Flower Myth (1918) Sprengel Museum Hannover, Germany |
 |
| Fire in the Evening 1929 Museum of Modern Art |
Quote Source: Clint Brown, Artist to Artist, p. 11.
