Henning Mankell

"Deep down he understood his father.  One should stay faithful to one's dreams.  How faithful had he been to his own?"

— Henning Mankell

Swedish Novelist

1948 -

These sentences come from the short story, The Pyramid, by one of my favorite authors, Henning Mankell.  The main character, Kurt Wallander, has flown to Egypt to rescue his father who was jailed for attempting to climb a pyramid.  Climbing the pyramids was his father's dream.  When Wallander sees the pyramids for the first time, he begins to understand what motivates his father.

I bet your parents also had dreams.  Do you know what those dreams were?  Did they achieve them?  I never knew my father's dreams.  My mother wanted to be a school teacher, but her father never let her go to high school.  Parents influence the dreams of their children.  Sometimes parents force their children down paths they don't want to take.  I was fortunate because my parents allowed me to find my own way.  The flip side is also true.  Children can influence and change the dreams of their parents.  

Have you been faithful to your dreams?  Or are you letting them slip away?  Don't give up on your dreams.  Stay focused and dream big.  Some day you too may climb the pyramids.  

Pearl Buck

"I never look at the papers again.  My secretary types them out and my husband edits them.  I never had anything more to do with a book until it is published . . . . I cannot stand to read over anything I write.  My husband takes care of everything for me except the first draft.  He works in the other half of the house."

— Pearl Buck

American Novelist

1892 - 1973

I am fascinated by the work habits of writers and artists.  Each one is unique and different and brings a special insight to the creative process.  We all find ways to draw on the creative spirit when we need it.

Pearl Buck was American born, but raised in poverty-stricken rural China by missionary parents and her Chinese nanny.  Her father, Absalom, was always traveling, attempting to convert the Chinese with little success.  He had ten converts in ten years.  Her mother, Carie,  buried most of her children in China and filled Pearl's heart with stories of America.  Her nanny, Wang Amah, filled her mind with tales of demons, dragons and spirits.  Educated in an American college, Buck returned to China with her husband, John Lossing Buck, only to be abandon for months at a time by her traveling husband, much like her mother was.  Both her father and her husband were obsessed with work.  Her father wanted to spread the word of God and her husband was passionate about Chinese farming.

Pearl Buck began writing at age 35.  Always a storyteller, Buck's most famous second novel, The Good Earth, was published in 1931 when she was 39 and she was honored with a Pulitzer Prize.  In 1938 she became the first American woman to receive the Nobel Prize for literature.  She published 38 novels, 16 collections of short stories, and 11 works of non-fiction between 1930 - 1974, sometimes as many as two books a year.

Hilary Spurling, in her biography, Pearl Buck in China, says: She spent every morning at her desk, emerging exhausted, dazed, and stupefied from these sessions with what she called her book people, or sometimes her real people.  She wrote longhand without revision or correction, seldom pausing, covering page after page at phenomenal speed in a small compact script, producing on average 2,500 words at a sitting."  She gave her manuscript to her second husband and publisher, Richard Walsh, who edited them for publication.

Every creative leader has different work habits.  What are yours? 

Beatrix Potter

"There is something delicious about writing the first words of a story.  You never quite know where they'll take you."

— Beatrix Potter

English Author, Illustrator

1866 - 1943

Few things can be more exciting than starting a new project whether that is a painting, a poem or a story.  I get caught up in the excitement of the moment and want to know where the story is going.  I follow it down a crooked path, through the woods, and into a meadow of wild flowers.  And there sits Peter Rabbit laughing at me.   Some people struggle with the blank page or the blank canvas, afraid to put down that first word or that first brush stroke.  I find that the easy part.  I am eager to get started.  I can't wait to put my words down on paper and see where the story leads me.  The same holds true for painting.  I have some picture in my mind and I want to see what happens to it the pastel or the ink touches the paper.  Beatrix said it beautifully: "There is something delicious about writing the first words...."  So what new project are you starting today?

Have you seen the movie, Miss Potter?  If not, I encourage you to do so.

Rafael Alberti

"In the very beginning I looked to painting as the medium for addressing concerns in shapes and colors.  Then it was poetry where these concerns found expression through the medium of word and metaphor."

Rafael Alberti

Spanish Painter, Poet

1902 - 1999

I am fascinated by creative leaders who use more than one medium to express themselves.  Rafael Alberti was one of those who was at home both in the visual arts and the written word.  The need to create and communicate one's feelings transcends the medium.  Some writers work in short stories, novels, poetry and plays.  Some artists paint, draw and sculpt.  And then there are the writers who also paint and the painters who also write.  Or the musicians who paint and the actors who play music.  We all have the urge to express ourselves.  The medium of paint, words or music is just the vehicle to carry the communication.

What vehicles do you like to use to express your artistic desires?  Poetry?  Music?  Painting?  Acting?  Plays?  Dancing?  Sculpting?  Novels?  Short Stories?  Have you stepped outside your comfort zone and tried something new?  

John Cheever

"The need to write comes from the need to make sense of one's life and discover one's usefulness."

— John Cheever

American Novelist

1912 - 1982

We all have a need to understand our lives and the things that happen to us.  Some turn to religion.  Others turn to history or politics or science.  Creative leaders turn to their art.  The stories we tell help us to make sense of who we are and why we are here.  And often we change the facts of our lives to tell a better story.  What stories are you telling in your artistic works?  How have you altered the facts of your stories to tell a greater truth?  


John Cheever is a perfect example of a writer who rewrote his life in his short stories and novels.  Born on May 27, 1912, John Cheever was the unwanted second child.  His father tried to convince his mother to have an abortion.  A storyteller from a young age, Cheever read Proust's In Search of Lost Time at the age of fourteen.  He dropped out of high school and never went to college.  He sold his first story to The New Republic at age 18.  For more than twenty years he published only short stories.  His first novel was not published until he was in his mid-forties.  In 1979 three years before his death, he won a Pulitzer Prize for a collection of his short stories that I highly recommend all creative leaders read.

Weldon Kees

"Modern society pushes people in the groove.  Although I was always interested in music and painting as well as poetry, at first I thought I had to concentrate on writing. . . one thing only.  But then the urge to paint was so strong I just went ahead and started oils.  And I didn't give up my writing — one did not exclude the other."

Weldon Kees

American Poet, Painter, Composer, Short Story Writer

1914 - 1955

As a creative leader, do you limit you creative expression to one type of art?  The common myth is that people can only do one thing.  Write poetry?  Paint portraits?  Compose music?  Write novels?  The myth is that we should focus on only one form of expression; otherwise, we will dilute our creativity not not do anything well.  We have become a society of specialists.  Painters should not write.  Writers should not play a musical instrument.  Actors should not write.

Kees believed that he could both paint and write.  "He said, "Shifting from one to the other I don't get into periods of absolute sterility that are often experienced by writers who just write, or painters who just paint."

Are you suffering from writer's block?  Pick up a paint brush and explore the world of color. Are you bored with painting?  Pick up a pen and write about your feelings.  Flipping back and forth between various art forms will keep you and your ideas fresh.

Here is a poem by Weldon Kees.

The Upstairs Room

It must have been in March the rug wore through.

Now the day passes and I stare

At warped pine boards my father's father nailed,

At the twisted grain.  Exposed, where emptiness allows,

Are the wormholes of eighty years; four generations' shoes

Stumble and scrape and fall

To the floor my father stained,

The new blood streaming from his head.  The drift

Of autumn fires and a century's cigars, that gun's

Magnanimous and brutal smoke, endure.

In March the rug was ragged as the past.  The thread

Rots like the lives we fasten on.  Now it is August,

And the floor is blank, worn smooth,

And, for my life, imperishable.